You know you're watching a Spelling/Goldberg production when the opening shot features three young widows showing too much leg & cleavage exiting a limo. And you know we're back in the Seventies when the next shot has Starky and Hutch trying to hide a walkie talkie the size of a shoe box in a bouquet of flowers. And it gets better: inside the funeral home the three 'widows' can be seen dancing seductively to disco music until S&H burst in to bust everybody concerned. The usual comedic fight breaks out, soon followed by the first car chase of the week.
You see, it's like this: Hutch and Starsky let one of the dumb thugs escape, knowing he'll be stupid enough to lead them right to his boss, Amboy (played by TGM). Amboy for his part is a classy mobster/restaurateur in a white suit who insists on eating only the finest food. When we first see him, he's giving a lecture on the ripeness of corn. Ken H. and Dave S. think they've busted him when they find a stash of green dough hidden amongst the corn, but we're only 10 minutes into the show, so Amboy gets off on a technicality: the boys didn't notice that they crossed the county line. Their arrest was invalid.
That same day, Amboy has his goons pick up Ken and Dave and offers to give them a job over some fine champagne and beluga. All this fancy stuff is gobbledygook to Starsky, but Hutch proves himself quite knowledgeable about the finer things in life a la 007. It's no wonder Amboy employs an Oddjob clone called Itchy as a bodyguard, although he doesn't turn out to be much of a challenge for KH and DS. First the boys enjoy the expensive food and drink Amboy offers them (during work hours), and then Ken thanks their host by going into Public Service Announcement mode scolding their him for turning 9 year old's into drug addicts and putting teenage hookers on the streets. Of course this serious message only takes up a minute or so before the boys are busy beating up Amboy's goons 'Three Stooges style'.
After the required scene with Huggy Bear, Starsky and Hutch start operation 'Annoy Amboy'. First they disturb him during a posh dinner at his restaurant "Andre's" (leading the way for the Blues Brothers to do the same in their movie) and later they catch him with his pants down at the Tailor (similar to things that would happen to Art Metrano in both of his Police Academy outings). After spending the night in their car, the penny finally drops when the two comedy cops remember that Amboy was making a big deal out of reading the London Daily Dispatch during their meeting the day before. Amazingly, they have no trouble finding a copy of yesterday's Daily and they quickly deduce Amboy is eying a cruise ship about to leave for England.
By now S&H are getting too close, so Amboy has them run into some undercover cops (it is never explained what they were doing at his house) which leads to Captain Dobey forcing them off the case by giving them sick leave. That way, the boys can do whatever they want on their own time (as if they ever do anything else). Amboy forces 17 year old hooker Mickey (the object of Hutch's PSA messages sprinkled throughout this episode) to give a false lead to the two boys, but of course H&S soon see through this deceit. They arrive just in time to save Mickey from Itchy and then bust Amboy back at the fancy undertaker where the story started. So in the end, there was no sign of a cruise ship after all, but for the second time in this Metrano Week, Art ends up falling on the ground while fleeing (The writer must have seen his guest appearance on Kojak).
7 out of 10
The Great Metrano week will continue tomorrow with Charlie's Angels: Angels in Paradise.
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